selections from:
Trigons seven poems in two sets and a coda |
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from Trigon Two: I - III
II
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1. . . . alum from Esalen sat through safe-house afternoons in Spaso Place unbugging lamps and fixtures in her mind as the ambassador himself directed work on redwood hot tub where diplomacy could be less formal and in fact stark naked odd to think all this was under Reagan though we might remember Nancy had her own psychics in the days John Denver sang Let us Begin and Russian healers walked by moonlight widdershins around the long and short of Wo Es War a great distance from the days in London when Diana had been positively vetted and been turned down for service in The Firm because she lived at sister Lady Kennet’s place and had been seen with people like myself at Covent Garden shouting Bravo! Bravo! at the end of Onegin and The Queen of Spades, The Gambler and The Nose I was a fan of Russian opera then & D was a language student of the former secretary of the British CP in Hull whose standing joke was that she had “connections” – meaning that she met a lot of Labor Party types among the toffs and tipplers just by virtue of her fashionable address on Bayswater Rd. everybody had a file at MI5 in those days even Harold Wilson if you know that name myself I lived in Islington with Igor who was busted for inciting riots on Trafalgar Square and photographed at Heathrow handing over papers to the agents from Hanoi it was a heady time that first trip to CCCP disguised as a musico-literary scholar when I hitched a ride on Charlie Newman’s manuscript (Ilyushin) Child’s History (Swallow Press, 1969) it would record what he was doing there but leave me out entirely which was what I asked – I thought I might obtain an interview with Shostakovich Charlie saying why not try for Guy Burgess that would be a real coup I’ll give you his address you like to play at spies and this would be the real thing of course so Wo Es War Soll Ich Werden don’t you think? I thought it odd that D had been recruited by the Russian Orthodox babushkas rather than the MI5 by charismatic Bishop Anthony as chorister at Enismore Gardens all presided over by the family of Aliosha Behrs 2. grandson of Sonia Tolstoy’s brother. The sign would be an overcoat hanging on a park bench beside the Neva with a nose wrapped in pages from Akhmatova’s Poem Without a Hero in the pocket Igor was to stay in Islington waiting for the word from me since he couldn’t manage after all to make the trip busy as he was as wine steward in the house of Doctor Wisdom (actually a person, you can look him up) which we rented as a Home Without a Zero it befuddles to this day real estate agents and philosophers globalized economists and simple thieves who may have been invited to the same conference Music and Your Memory: A.R. Luria and students to administer the Luria-Nebraska Neuropsychological exam comparing a placebo group to brain-computer interface results from dead composers cyrosuspended in the crystals of their songs so if you wished to send a trace through time alone you needed all the precious five – a way to touch the sound and sound the depth of seeing hear the color shaping as an image while you sniffed the brandy of the damned delighted in the flavor of the yellow flower blooming from a chord Charlie feared at once that he was being watched his watermarked stationery headed Young Americans Abroad for Harmony had been suspected from the first as alluding to a fiction where in fact his character a black Maoist wanted as a dissonant in North Carolina had been sent to steal a cello once played by Rostropovich for a gangster patron of Triquarterly who wanted it to bribe the LSO first chair to play the last choir of Red Dawn throughout the middle movement of the Old Commission thus forcing Solti to throw up his arms and shout that’s what comes of only two rehearsals, union members! leading Charlie in his turn to write of adepts and colleagues that they had grown up in a country in which every street corner sported aide- memoire in shape of new church looking like a filling station or a bank and now it should be elementary and essential for them all to go hear instead the music of an Orthodox Cathedral all graffitied & surrounded by a high iron fence with razor wire under which the blind peasant women crawled to kiss the feet of a torn and rusted icon 3. although back in London we could see clearly in the photographs at Enismore Gardens that an airbrushed version of both that and the other scenes was to be preferred. All the old babushkas who were often princess this or princess that objected to our visits to the embassy where we liked the classic films and vodka after – Nevsky with a re-synched Prokofiev and bootleg versions of the anecdote about how everything derived from just one sound the screeching of a train roaring through the station at Smolensk on which a mnemonist examined by the Luria disciple mapped the synesthetic pathways through a country village where he’d placed every note as a word like umbrella cat gazebo samovar toysoldier effigy beside a fence or on a porch or underneath an apple tree while he sped on by trying to forget his fear of Schumann’s A the end of hallucinations starting with edenic sounds becoming louder and demonic their sublimity reduced at death to just one note that burned in his syphilitic brain and loud and laude carried him like Giovanni down we asked Igor once we’d prehabilitated if he’d got our message he said no about abort the short response to Rimsky listed still as Korsakov five bottles of the best wine simply vanished down the drain or were they poured in libation onto Marx’s grave the brainbook reminds us that the eye takes in a word as a word the corresponding birdbook is organized by region bird by bird no copyediting Cyrillic ornithologist need intervene unless a rook or nightingale passing through the scene distract attention from the battle on the ice defects of memory are problems of perception in aruski rehab skripka is not skrepka violin is not to be confused with paperclip photoreceptors capturing the light as two dfifenert iamegs on lfet dan rihgt rteniae dpeenindg no the smeihpor dcoednig eclertctiy as ees or feel or haer korPvoeiv coabllortaed ni a yaw on cposomer eevr dah bferoe with a dricetor children making toy suits of armor out of paperclips and Eisenstein painting all the trees with white and salting every extra just so you keep the first and last letter plucking pizzicato on mnemonic violin – skripka is skripka and so we had eventually a house in London and a flat in Moscow and our six friends in Leningrad with whom we always stayed in Petersburg close enough 4. to be a fair distance on Or for that matter some distance off. The handles on the water taps to our surprise didn’t say hot or cold in any language we could read but bought and sold in several in her bath Tatiana raised a fetching leg high above the suds billowing in that same tub where after she had gone we would wash the dishes and the silver from the conference feast. Witzelsucht the tenor said you’ve got the wisecrack disease coming on you with Tourettic consequence. Charlie had revealed in his History of 1968 that our first trip had ended for him not at the conference where his paper on Scriabin’s synesthesia had been picked to pieces by the delegates from China but inside the ZIV limousine from which a child with Williams Syndrome beckoned to him singing Tolstoy and Lenin in the end were both convinced they had to wring the neck of music fifty rubles for your Dacron socks – pitched at 440 cycles every second and an amplitude of 60 decibels you see the credits on the screen the rolling titles pitched at 523 cycles amplitude of 90 decibels the view from Pereyaslavl and the frozen lake pitched at 622 cycles amplitude of 120 decibels a flash of lightening and the Teuton cavalry advancing like a Panzer unit on the ice 880 cycles amplitude of 180 decibels the ice breaks and Comrade Stalin with a perforation of your eardrums and a sunblast on your retinas transmutes the cycle into cyclotron amplitude to grim necessity black & white to work & war the minor keys to miners’ fees and Tatiana’s exit to a steppe flower swallowed by a Tuvan watching movies in the Urals at the moment you write down the name they wanted and the pseudonym as well. Old stories certainly but this was the second trip when I was sent back from lecturing on Ballet mécanique in NYC aboard the Lermontov presumably to disembark with D at Thames side dock electronic thumb as I recall it now in Wikipedia D’s Britannica Eleven swallowed there where now you find the peasants stripping Diderot from Catherine the Great – pheasant for the dinner Lady K prepared while D was hiding in a priest hole thinking Lord Protector I was working on the hydrodynamics for my Crossing asking what makes waves? as if one thought that rehabilitated phonemes for the ball were photons and we ought to make our own 5. separate peace with history. But what? makes? waves? components of resistance? poets must as ships do dear encounter counter count on it: who waves at signals lovingly what wives await returning man he shanty sings of sea-born signs Potemkin Homer Mayakovsky Virgil Quote: Then first the river hollowed alders felt . . . and by that means I’d gone again to Leningrad. The text of Crossing asked for a conclusion and I wrote myself into a narrative I didn’t follow past the ghostly Kelmscott oarsmen estuary chains Gordon fortifications stone outcroppings along the Hundred of Hoo and through a Dickensian fog all the way to Bayswater Rd. By then I’d said goodbye to D and still on the Lermontov was navigating through the Stockholm archipelago and Gulf of Finland to fulfill an obligation to the six I’d left in Petersburg who went out to the theatre where it was Lermontov . . . his Masquerade . . . Shostokovich might have made an opera of it if they hadn’t executed Meyerhold but that comes later on Tonight it’s Meyerhold’s production it is no ordinary evening in October Everybody’s there everybody who is anybody’s there but Anna Andreyevna only managed tickets for rehearsal isn’t anybody who is anyone just yet when she leaves a dress shop in the afternoon it all begins it all begins like theatre like Masquerade like Lermontov it all begins like Meyerhold perhaps those mummers mime it all perhaps the bodies lying in the street are only doused with buckets of red paint the painters all come too the painters and the dancers and the violinists mime All the dead men get back up to much applause all the dead men lie there in the streets and either way Anna Andreyevna tastes her Tartar blood and speaks she makes a music of this Meyerhold this masquerade the lovesick Gumilyov tells her he is dead a suicide Gumilyov is not dead he only mimes he’s shot of course but that comes later on it’s Knyazev who’s killed himself for love Who will die for Vladimir Ulyanov? Everyone who goes to Masquerade she’ll write it down they write down everything you say the ones who ask you where you live who ask your name who ask you why you’re playing in this masquerade while Petersburg is burning down it is revised with major cuts provided by the censors Petersburg by Boris Nikolayevich Bugayev the symbolist Bely where Nikolai Ableukhov stands 6. before his mirror as a domino in an assassin’s mask his hand upon a bust of Kant – who can’t tell you what the mummers in the poem by Anna Andreyevna mimed from another age on the Fontanka it was privilaged where she conjured up a guest from the future bringing doom instead of flowers where she wrote upon the writings of the dead there’s Mandelstam there’s Meyerhold there’s Blok where the Engineer of Souls was whispering we’ll melt your triple-bottomed black libretto down into a hymn of state and gift you with a row of dots out of Onegin – nonetheless, Leonid Brezhnev’s psychic healer who was called Dzhuna Davitashvili really did meet with Apollo astronauts two decades after I’d gone back and Luria who wrote his book in 1968 but studied S his patient from the 20s on fascinated Eisenstein so much because he showed him just the way that S remembered everything by placing objects of perception thought imagination on an infinitely winding road down which enlarged Hippocampus strolled asking in the key of B what’s the difference between Masha Marusya and Mariya an interrogation Eisenstein adapted interviewing new projectionists S knew that Masha was a tall thin babe with pointy tits Marusya was a plumpkin but she had a pretty smile and Mariya was an icon Charlie wrote about it in his History – “graffitied church surrounded by a high iron fence with razor wire under which the blind peasant women crawled” etc – I had it in italics in part two but this time it’s in quotes Poor Charlie died last year But Igor’s writing up a memoir that he’ll call The House of Professor Wisdom and he asks me in an email as I’m writing this if I can tell him anything I think he should omit from such a rehabilitation – grounds of personal embarrassment or what’s it called Official Secrets Act? D is in the kitchen and I can’t clearly hear what she says – don’t rehash an old Rus rehearsal if it wasn’t habitable then it’s not habilitated now it may have been habitué of all my past performances she’d read me Pushkin played mazurkas on her sister’s harpsichord and after all my journeys to the Wo Es War of things she’d welcome me with Brussels sprouts 7. and mangelwurzels – beetroot for cattle if you have to play it in the key of C CCP because that lunch was for the founders of Choleric Conference on Contemporary Poetry as it became in the days of Gorbachev and Yeltsin when the visas came through easily enough and old dissidents were disregarded by the avant-garde while Esalen packed the galleries to argue for poetics of a Tantric Resurgence and an end to ordinary history with citizen diplomacy and ESP for all – My own job by then was to cultivate nostalgia for the good old days by meeting periodically with (soon to be known as agent) Blunt who had a fondness for Diana’s cooking Igor was a little slow to place the friend who came along with B asking if he’d met the Director at the Courtauld or shared an interest in Poussin he said in fact the two had met inside the public loo at Tottenham Court Rd wasn’t it a pity about Perestroika The good old days did I really love the Ruskies and their Revolution Fellow Travelers Trotskyites the way I thought when I began letting people know in Indiana and Ohio how I’d been a communist beginning at the age of twelve and then became a dissident MI5 and George Smiley leading Karla to the wall and reading late at night Zhivago at the same time listening to the Shostakovich 5th you wouldn’t like it any more than I if someone pulled your fingernails out with rusty pliers did you know the human nose keeps growing during one’s entire life a scientific fact the scent of eidetic memory will conjure even when you concentrate on melody the Nevsky Prospect well before the KGB the good old days before Sir Anthony (the traitor Blunt) was banned from banquets at the Palace and began to eat with us the good old days well before the good old days when grandfather still was young and read the first Englishing of Kreutzer Sonata but begat my father and his siblings anyway though not with his nose which started walking through the streets of Van Wert, Ohio thinking it was harbinger of me and Charlie Igor D and Lady K years before I went to Russia or to Britain either one years and years before I was even born good times were had by all it wore a long mustache and smelled the pancakes and the rumors from abroad have a good breakfast and a show trial for all there will be in the passage masquerade & nothing funny about that except the laughs
from Electronic Book Review (08/23/2002):
Working Progress, Working Title [Automystifstical Plaice] In the 1930s, actress Hedy Lamarr was married to Fritz Mandl, a German arms manufacturer who guarded her so closely that he insisted she accompany him everywhere, even to discussions regarding the development of military technology. After finally leaving Mandl, Lamarr brought her acting talents to Hollywood. She also brought with her a knowledge of the roles that synchronization and what the arms community called "frequency hoping" could play in the guidance and control of missiles like the V2. When the second World War broke out, she sought out a collaborator who could appreciate what she was trying to offer the Allies, and was eventually directed to George Antheil, the composer of Ballet Mecanique, an avant-garde score that required the synchronization of 16 pianos. Between Hollywood projects, Lamarr and Antheil worked out the details of a patent that was ahead of its time in terms of practical application, but would become the basis for the hand-shaking communications technology in use today in everything from cell phones, wireless PDA and other Internet devices, to the guidance of cruise missiles. Their collaboration also became the springboard for John Matthias's "Working Progress, Working Title [Automystifstical Plaice]." |